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"APT." by ROSÉ&Bruno Mars opens with "APT APT". Read the full lyrics, the story behind the song, and a music review.
"Copines" by Aya Nakamura opens with "Il m'a dit t'es où J'te rejoins au tel-hô". Read the full lyrics, the story behind the song, and a music review.
“Copines” by Aya Nakamura is a track from the album “Copines”. It runs for about 2:52, opening with the line “Il m’a dit t’es où J’te rejoins au tel-hô” and building from there into the hook that most people remember.
The song starts with “Il m’a dit t’es où J’te rejoins au tel-hô”, and that line already sets the emotional tone for the whole track. As it unfolds, lines like “Moi je m’en bats les reins j’ai besoin d’un vrai djo” show how the feeling builds, and the chorus — anchored by “Tu veux la plus bonne” — is easy to pick up after a single listen. It is a heartfelt track from Aya Nakamura that combines a strong melody with straightforward lyrics that stay with you.
Il m’a dit t’es où J’te rejoins au tel-hô
Moi je m’en bats les reins j’ai besoin d’un vrai djo
Il a vu mes copines j’crois qu’il a flashé
J’suis pas ton plan B t’as maté le fessier
J’réponds à tes appels tu crois que j’vais la fesser
Moi j’m’en bats les reins j’ai besoin d’un vrai djo
Trop tard trop tard
J’suis trop loin pour toi
T’es la plus bonne bonne bonne de mes copines
À mes copines à mes copines
Mais tu veux la plus bonne bonne bonne de mes copines
Tu veux te bombarder
Bom-bom bombarder hey
Bom-bom bombarder ouais
Toi tu planes planes planes que la nuit
Tu crois qu’j’ai ton time à ton avis
M’appelle pas mi amor mi amor
J’tai barré mais t’en veux encore
Toi tu crois viser dans le mille
Faudra trouver un alibi
Mon gars t’as coulé
Aya t’as cramé
Mais tu veux la plus bonne la plus bonne
Tu veux la plus fraîche la plus fraîche
Mais tu veux la plus bonne
Tu veux la plus fraîche
Tu veux la plus bonne la plus bonne
Tu veux la plus bonne
Looked at closely, “Copines” is about the feeling captured in its very first words: “Il m’a dit t’es où J’te rejoins au tel-hô”. The narrator keeps returning to the same images — “Toi tu planes planes planes que la nuit” — until the final line “Tu veux la plus bonne” brings it home. It is honest without being heavy, and the repetition makes the meaning easy to follow even on the first listen.
“Copines” is a well-crafted track that gets its strength from simplicity: a clear melody, a repeating hook, and lyrics that never overreach. It fits Aya Nakamura’s style well and works in almost any playlist.
The charm of “Copines” is how quickly it grows on you. The hook, built around “Tu veux la plus bonne”, stays in your head long after the song ends, and the lyrics are easy to sing along to. It is an easy recommendation for fans of Aya Nakamura and for anyone who enjoys heartfelt, easy-listening music.
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